![]() In the early '70s, they played with the likes of The Who and Led Zeppelin, and their hit Bach-influenced song "Brandenberg" appeared on the Tonight Show and The Steve Allen Show.ģ:30: In 1973 Mark and his wife and their two kids move to Los Angeles, where he establishes himself as a TV composer.Ħ:40: Chris Carter asks Mark to write a theme song for his new show.Ĩ:30: The story of The Twilight Zone theme, which was actually edited together from two short snippets of music Marius Constant wrote years earlier for the CBS music library. The opening sequence in the new episodes is the same one used in that very first season, with the very same music.Ģ:15: How Mark achieved early success while at The Julliard School, as a founder of the classical-rock fusion band The New York Rock and Roll Ensemble. In the end, Snow, Carter, and the show's producers decided that after two decades, the new version of The X Files would stay true to its seminal mood. The composer of The X Files tells Radio Motherboard how he made that iconic themepartly by accident, and with some accompaniment from his wife. You're not going to hear a great difference."īut listening to a new version of the theme, he says, "you would know: 'This isn't the original.' It's not like going to Carnegie Hall and hearing some orchestra play Beethoven's Fifth and then the next week have another orchestra play the same piece. "When you're doing electronic music, there's something about how instruments are panned left or right, the EQ, how much high and low it has, the reverb, delay, echo stuff. He recorded her, mixed it with the synths, and called Carter to let him know he was ready to play him a few versions of a new 40-second piece. "She's a very good whistler, so I said, 'Why don't you whistle along? It'll give it a little extra zest.'" His wife Glynn was walking past the garage, and stuck her head in. "I said, 'Why don't you whistle along? It'll give it a little extra zest.'" Then he stumbled on one of the higher-numbered voices, a patch called "Whistling Joe." It seemed silly at first, but the more he played a simple six-note melody with it, the more he liked it. FEEL MY BODY FRANK'O MOIRAGHi FEATURING AMNESIA multiply ONE FOR THE MONEY HORACE BROWN. Everything sounded either too ordinary or too excessive. CANTONA 1300 DRUMS dynamo THE X FILES THEME MARK SNOW warner BROS. Flipping through the voices on his Emu Proteus/2 orchestral synthesizer, he tried various instruments-violins, flutes, woodwinds, brass, voices, some more exotic things. From there, he added a sustain combination, some pad sounds, and then began searching for his melody. That gave way to a now unmistakable four-note arpeggio. While tooling around in his garage one day, his elbow hit the keyboard while a delay echo was on.
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